IF YOU RECALL, a few weeks ago I presented Shostakovich’s 11th Symphony as THE symphony for our times, in its realistic depiction of state evil and its warning that history repeats itself. Well, here is another symphony for our times but in a very different sense altogether — one which reflects beauty, honour, glory and everything noble and virtuous about life which is nostalgically lurking on the hinterland of the universe and in a hidden corner of our hearts. The 5th Symphony of the English composer, Ralph Vaughan Williams, is, to my mind, the most beautiful piece of pure music ever written. It is certainly one of the most spiritual pieces of music ever composed. Astonishingly, it was written at the height of the Second World War! Vaughan Williams was inspired to write it while composing his opera “Pilgrim’s Progress”, which he viewed as the manifestation of morality and this is what lies at the heart of this symphony. There is an order and cleanness which feels wholesomely noble. The very opposite of the chaos, amorality and disorder which lay at the heart of Europe when the symphony was being written. From start to finish, it is rivetingly beautiful. Just when you think it couldn’t get any more beautiful than the first movement, the third movement (coming after a lilting scherzo) is nothing less than divine, music to bring you into the presence of God. The final movement is the perfect end to the work; the coda in the last few minutes being one of the most beautiful endings of any symphony ever written.
IF EVER THERE WAS A SYMPHONY FOR OUR TIME, it must be the 11th Symphony of Dmitri Shostakovich (1957). I’ve been doing a special study of this work for some time and the more I listen to it and analyse how it captivates the listener, the more I am convinced that it speaks right into the world like a TERRIBLE AND OMINOUS WARNING from a parallel universe. Hardly surprising that an audience member yells out “Arrrrgghh” at the end of this video recording. It is music of great beauty and power, casting a spell over the listener from the very first notes. Please do not click away from this, thinking that classical music (so-called) has nothing to tell you. That would be a mistake. For this symphony is like a contemporary epic film score which takes the listeners/viewers on a journey. To listen to it is to participate in the movie, as the music is all-encompassing and sometimes utterly overwhelming, just as music should be.
I’M CURRENTLY WRITING AN ARTICLE about enslavement in all its aspects, internal and external. Being enslaved to the lies and darkness of the political arena is a major aspect. In the attached image that I’ve prepared is an incentive to unenslave yourself from this idiocy, if you haven’t already done so. Don’t be a useful idiot to the theatre of war!
The Naked Troubadour Sets Out its Stall
Dear Friends, today, my new blog website, “The Naked Troubadour”, goes live on the internet. I’ve owned the site for a couple of years but have been waiting for the right moment to develop it. That moment is now. I was keeping it as a “placeholder” until I could no more contain myself from going live with it. Quietly, in recent weeks, it’s been having its design established and a great deal of my material — almost 800 works — has already been uploaded to it.
For some decades, much has been said about the necessity for men to get in touch with their feminine side; but from my observations today, I would say that it is not so much the men who now need to do so but the women! The discovery and practice of true femininity by many women today is at least a dying art, if not a completely lost one. If you ask me at this point what I mean by “femininity”, I reply that a woman would know the answer to that instinctively when she is in the company of a real man who loves women. But if I were to respond more, I would say these things: