Reflections
The Book of Revelation is Politically and Spiritually ‘Incorrect’!
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BEING CONSIDERED TO BE politically and spiritually ‘incorrect’ by most people in this fallen world is a good thing, by the way. For, as the Christ Himself said, “What is highly esteemed by the mass of humanity is considered to be detestable in God’s eyes” (Gospel of Luke, chapter 16, verse 15).
4 Mini-Extracts from my Upcoming Book
EXTRACT 1:
The Christ revealingly said: “As it was in the days of Noah, so will it be at the coming of the Son of Man” (Gospel of Matthew, chapter 24, verse 37). He was referring there, of course, to His own cataclysmic return at the end of this age, at which time the same level of evil will be found on earth as existed in Noah’s days, when it was said that “the wickedness of humanity was great upon the earth, and every inclination of the thoughts of his heart was altogether evil all the time” (Book of Genesis, chapter 6, verse 5). In Noah’s days, the evil which prevailed was primitive, impulsive, chaotic and wild. In our day, evil wears a suit and tie, a white lab coat and a fake smile with impeccable dental implants. The forces of darkness always use whatever human resources are available at the time. Primitive or sophisticated, it doesn’t matter to Satan. The big difference between Noah’s day and ours is that because of technological capabilities Satan can control the whole world at once — the goal he has aimed at for countless millennia. This is why now, finally, uniquely in history, his one-world government (currently being organised) becomes possible and then his human mouthpiece and front man on earth, the Antichrist, can surely be revealed. Satan thinks he is playing his endgame, his checkmate move. But it is merely the trigger for his downfall and consignment to a fiery oblivion.
Read the rest of this entry »Time to Trim Your Wick
OVER THE YEARS, I have tried to be patient and loving even with people who were nasty and destructive when they didn’t agree with me, and even though my determination to avoid giving like-for-like often made them behave even more unpleasantly (for they are addicted to the thrust and the joust). I always realised that their comportment was dictated by damaged elements in their hearts which they did not comprehend; therefore I had sympathy and empathy. But something has changed in recent times, and I am no longer inclined to be so indulgent. This does not imply a withdrawal of essential human love; but I will no longer be railroaded by their games, grudges and goadings. For now the lines are being drawn very differently and we are moving into a rapidly degenerating world in which those people — instead of being reasonable objects of sympathy and help — are not only energy-leeches and time-wasters but also would-be snitches to the authorities (or some other even more sinister kind of threat, as they casually haunt the edges of violence).
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Plowing the Furrow…
FOLLOWING ON from my recent piece, “You Have Been Spooked!”, here is my account of the latest episode in this theatrical farce…
Unable to Distinguish a Fact from a Fart…
THE WHOLE ESSAY from which these few words are extracted will be ready in the coming week. Now standing at over 15,000 words, today I am writing the conclusion and doing final edits of the rest. Watch this space!
Eurovision = Eurotrash
If you want to see a model for everything that is depraved in this world, watch the Eurotrash Song Contest. It exhibits the ultimate in fakery, caricature, poseurs, political and social correctness, undermining the sacred masculine and ridiculing the sacred feminine, while making a mockery of the very idea of music. Any sensitive, conscious soul should find it disturbing. It all fits perfectly into the prevailing end-of-the-age satanic zeitgeist. The Eurotrash Song Contest is nothing more than muzak to appease the easily offended multitude. Its acts are made up of desperately contrived ‘inclusivity’. The more camp-kitsch and fake an act is — the more eyeliner, mascara, lipstick, and nail colour male act members use, or the more effeminate or foppish a male act is (in voice or appearance), and the more flamboyant or indicative of so-called ’girl-power’ the female acts are — the more likely those acts are to gain points. The Eurotrash Song Contest is a theatre for what I call “money-machine music”. An individual or group with genuine talent has no need to be entering competitions. One only needs to be oneself. The very idea of “making it” or creating “a hit” is only based on materialist egocentric ambitions and has no artistic merit whatsoever.
Read the rest of this entry »The Beauty in Ugliness
WHEN WE ARE CONFRONTED with what is regarded as ‘ugliness’, our first instinct is to recoil or flee. I realise that the concept of ugliness — the judgement about what is ugly and what is not — can vary from one culture to another. An African Mursi tribeswoman with a huge ceramic or wooden lip-plate would be seen as utterly gorgeous within her own tribe but regarded with some horror if she were a consort in a gentlemen’s club in Knightsbridge, London. But as my years have gone by, I’ve discovered that if I look at something which is commonly regarded as ‘ugly’ for long enough, or look into its full credentials, it somehow begins to take on a unique kind of beauty even in the midst of the ugliness.
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The Naked Troubadour 